Showing posts with label letters of the dead. Show all posts
Showing posts with label letters of the dead. Show all posts

Sunday, June 17, 2012

Sample Sunday - June 17

It's #SampleSunday time again.  Here's mine:

RT #samplesunday The dead's letters lead Roderis to a Possession and its Owner http://bit.ly/LcJG76 @jodiralston #nook #kindle #fantasy

#SampleSundays of Interest:
Below, I find and post links to interesting fantasy, history, science fiction, and horror from the #samplesunday list (listed in alphabetical order by title under each category).


Related Links:

Sunday, June 10, 2012

Sample Sunday - June 10

I'm doing an official #SampleSunday this time.  Here's mine:

RT #samplesunday Roderis gets letters from the dead. Sample chapters http://bit.ly/LcJG76 @jodiralston #nook #kindle #fantasy
#SampleSundays of Interest:

Below, I find and post links to interesting fantasy, history, science fiction, and horror from the #samplesunday list (listed in alphabetical order by title under each category).

Related Links: 

Sunday, June 3, 2012

Unofficial Sample Sunday

I'm doing an unofficial #SampleSunday, since I couldn't get with it today on KDP boards.  So I posted mine:

RT #samplesunday Roderis gets letters from the dead.  PDF sample of published ebook: bit.ly/KCwQ3c #nook #kindle #fantasy #writing

And I'm finding any fantasy,  history, science fiction, and horror from the #samplesunday list, and posting the links of that looked interesting below (listed in alphabetical order by title under each category).  I hope to find some more to post today yet.

Fantasy:

Science Fiction/Fantasy:

Science Fiction:
  • Hidden Fires by Katharine Eliska Kimbriel - Sample

Related Links: More Info about SampleSunday

Tuesday, May 22, 2012

Two Site Updates: LOTD/Amazon and Flower Language

The first update is Letters of the Dead is now up on Amazon.com.  I'm a little behind on working on the other versions.

The second update is that I've compiled a (Victorian) Flower Language Dictionary from three public domain works so far.  Right now it is a rough version, but I do plan on adding more to it and making an html file on my site.  But for now, I only have Excel files.  Why am I doing this?  Because I intend to use it in some way in a story or two, but also because it's fun and I hope others will derive some pleasure from it.  Enjoy!

Wednesday, May 16, 2012

Letters of the Dead: Now Available at B&N--Also, Samples!

Letters of the Dead is now available for sale at B&N.  I have started the upload process for Amazon/Kindle, and it should take around 12 hours for it to be available there.

But for the meantime, I have some samples available too, in different formats--epub, mobi, PDF, RTF, and HTML.  You will have to sideload the epub or mobi onto your device.  The PDF, though, isn't intended for reading on an ereader since I never found out how to make them work well with it.  Also, I'm not sure how to get the Open or Download Screen to pop open when clicking mobi or epub on the site, so you'll have to right click those for now.

Phew!  I tackle other site updates and Smashwords tomorrow.

Monday, May 14, 2012

Letters of the Dead Update

I started the process going on self-publishing LOTD. I've uploaded it B&N only so far, but I will work on other versions soon. It will take a day or so for the ebook to be available for sale on B&N. Next, I'll work on the Amazon/Kindle version.  After that, I'll work on a Smashwords version.

I'm just tickled that it's finally come this far.  It's finally ready.  It's finally going to be up.  This one had never left my mind, always whispering to be finished, but it gave me many problems since its origin in 2006.  Only by the grace of God have I managed to complete it today.

Anyway, I'll keep you all updated on its availability for sale and when downloadable samples are ready.


Note:  Original cover art images by digitalart (background; skull and crossbones) and Simon Howden (letter, quill, and ink pot). Cover by Jodi Ralston.


Saturday, May 12, 2012

Updates and Good News

The first good news is that Letters of the Dead is finally ready for publishing.  As I try not to do business work on Sunday, I'll have to do one very-very-very last look through and fix on Monday and start publishing it to B&N.  After that, I'll start on the Kindle version.  And eventually (after I do a test run on The One Who Sees), I'll try it at Smashwords.  I'm exhausted but happy.

The second bit of good news is that my webpage is getting a new look.  It's only skeleton right now, but my main goal for rushing it into place is to have a landing spot for my ebooks (in the author's notes).  That landing spot will be the fiction page.  I still have a lot of work to do, but here it is so far http://www.chiaroscurohouse.com/index.html.

I'm pleased with my progress so far.  Especially considering I was good for nothing until Friday, and even then, not good for much, coughing my head off.  But that's a good sign.  When a cold moves into my lungs, that tells me it is almost beat.  It's the last place it stops by before my body gets over it entirely.  Today, my cough is far rarer, which is why I got most of my work done today.  I did a lot of ebook work yesterday, and more today along with webpage work.  And coming up soon, starting Wednesday I'll be on summer break at work so I can work on the site and catch up on all the things I've been neglecting this last couple months (such as emails, sorry!).

Anyway, I do intend to take a little break after I get LOTD on the two main sites.  Then I'll start on the sequel story to The One Who Sees.  Then after that I want to work on LOTD's sequel, Eyes of the Gods. I also hope to work on a Secret Project during all this.  But a break first.  Phew!

Sunday, October 30, 2011

SampleSunday: Letters of the Dead (Beginning, Part 3)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

Previous Snippets:
  1. SampleSunday: Letters of the Dead (Beginning, Part 1)
  2. SampleSunday: Letters of the Dead (Beginning, Part 2)

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Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:


The carriage slowed, then stopped.  Traffic must have been light in the City today.  I put away the letter, and while the cab waited, I took in my destination.

    Outside the window were the manicured lawns and hedges, the coiffed flowerbeds and military-stanced "domiciles"--a fit scene for the clatter of perfect hooves on perfect horses and the rumble of perfect carriages.  No string of houses here like a segmented millipede.  These were the grand houses of gentry wishing to live with the convenience of the city but the illusion of the country.  These were the grand houses of those who thought the aristocrats lived in perfection and tried to mirror it, painfully so.  My destination's "domicile" had four stories, not counting a basement and cellar and attic; those stories hurt the veneer of rigid prettiness by hinting at actual work.

    A heavy gate presided over a short walk to the front door, but it was neither open nor attended by more than a single bell.  The baron would have approved of the structure.  He had loved barricades, rows of them between home and world.  But that was nothing new; even back in his earlier, clearer days, back when he was Queen Corva IV's personal physician, he had recommended extra gates for her.

    Even so, this was wrong.  While the baron remained unburied, the gate should be open to allow in mourners both hired and true and to welcome in the psychopomp with the deceased's soul.  There should also be some grey bunting--or rather, fresh grey paint for the well-to-do.

Wednesday, October 26, 2011

Update on Publishing Goals

I had intended to get Letters of the Dead's grammar edits done this week, but I ran into a chapter that needs a little more help, and it affects other chapters.  So, as nanowrimo and November nears, I've decided to make some changes.

  1. I am pushing LotD's go live date to early January.  I will continue editing on it during nano time.
  2. I am going to proof the One Who Sees novelette tomorrow and work on its formatting and such this weekend.  I will continue editing on it during nano time.  My goal is to have it go live early December.
I still plan on posting the first few chapters of LOTD on Sundays.  I even know a good point to leave it off on, for it's kinda hooky.  Also, I still want to post OWS on the blog, but I'm no longer sure if I will post the entire piece on the blog for a week before it is published or just post a good chunk and leave it up.  I'm leaning toward the last option.

Anyway, I am a little disappointed that I can't reach my original goals, but I'm certain this will work out.

Sunday, October 23, 2011

Blog Notice

The normal Wednesday post will be absent this week as I work on two major goals:
  1. Finishing ALL grammar edits on Letters of the Dead.
  2. Completely prewriting my nano2011 novel.
Normal posting--plus some extras, I hope--should resume the following week.  Thanks for bearing with!

SampleSunday: Letters of the Dead (Beginning, Part 2)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

Previous Snippet:  SampleSunday: Letters of the Dead (Beginning, Part 1)

#

Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:


I had read the letter in fits and starts half a dozen times as I walked to the make the train, and upon boarding a second-class car, packed elbow to elbow, I found out the past could pack in closer.  Even before the train Forevermore wrecked and sealed its memory not in the durability of iron and genius but in the loss of lives and struggle of the survivors, even before that accident, I had never been comfortable with trains.  Now, with this letter, clenched inside my pocket, I felt even less.  Normally, I would pull such a letter out and use my time wisely re-reading it; after all, the dead were ever difficult to understand.  And I had plenty of room to so in, for as I had learned early on, folk dressed in suits of all grey, without a hat, and radiating discomfort were rewarded more room than necessary.  But yet, the letter never left my pocket.  The dead might be difficult to understand, but the baron came with additional . . . complications.

It was not until I left the train behind, and my past with it, that I could try to make the sense the dead and the psychopomp desired of me.  But first, a few last, necessary distractions.

    At the destination station, I hired a cab.  Three miles left to reach the baron's daughter, and it would cost more than the hour train ride and take just as long.  But a mourner didn't arrive on foot before such society, particularly Corvish gentry, not in this country anyway.  At least, it gave me the privacy and better steadiness to finish my cover.  I pulled out from my pants pocket a small tin and twisted off the lid.  A wide window of metal shone at the bottom, rimmed by little grey face paste.  Something else I needed to buy, but didn't have the money for.  Not that long ago, less than a year ago, it had been new.  I pulled off my glove, scraped some paste onto my finger, and drew the tear mark on my right cheek.  Smaller than usual, but still good.

    What was not good was my scar.  Tinged by grey rather than concealed, it stood out ever the more sharply: a royal crest branded on my fingertips from a single ring and its defective magic.

    My mistake.  I should have used my left hand, I thought, as I cleaned it.  Usually I did, but the letter and its contents hadn't moved far enough from mind.

    Nor had another letter in the same my pocket, a letter which I wished I had the sense to leave home.  I closed my eyes to avoid staring at the past, both here and oceans away, wishing to avoid thoughts on scars of all kinds as I pulled out the baron's letter.

    Not easy, but it was time.  I put away the tin.  I put away my distractions.

    I found that easier to do once I broke the letter down into its parts, of which there were many.

    The letter had been written over twice and only once post-mortem.  The original letter was not the baron's, but another's.  A clandestine love letter to the baron's daughter using the address of a woman as cover.  A letter long in declaring affection.  In just as long a fashion, asking her to meet him, to elope if nothing else, her "father and all else be damned."  I would have blushed if not for the date and the man.  A bad date, the day of the Forevermore disaster that claimed too many lives.  Including that of Princess Hartlyn II, the young lady who was born thanks to the baron's special magicum, but thanks to his assistant, this writer, she had appeared a couple of months after her death in her namesake colony.  Appeared in my father’s preserving room, stuffed with illegal, traceless magics for the underground revolution.  A fact which fortunately no one knew save my family, this court doctor, and the dead.

    I just hadn't realized the strength of connections between this traitorous former assistant and his master’s family.  But the baron was a man of connections that reached too far, even in death, and were always complicated.  And that part, this part of the letter, was of the past that had taken me a year, an ocean, and a now an hour train ride to leave behind; I did not need to add any more to it.

    So, I smoothed the creases in the paper with my left hand, my scarred one being bound up in a fist, and I focused on the next part.  Turning the letter sideways, I saw more to disturb.  The baron, while still alive, had written a message to his daughter, crosshatched over the love letter, and he had written it a few days after the Forevermore tragedy.  The baron needn't provide the date; his erratic hand and the . . . complicated nature of the words themselves told more than enough:
Beatris, I chanced you would listen to a letter from your "true love's" hand.  I am not sorry I separated his correspondences from your attention.  I am sorry for the pain he caused you, for the pain I caused, for the pain this may cause; yet Terrible Work is at hand and of Greater Importance than what we feel and regret.
 
Someone feels dispatching me is worth the Risk of what I Own, is worth the Risk of all Humanity.
You no longer trust my promises.  But this goes beyond promises.  You no longer want anything of me.  But I must give you This:
    Here the baron's post-mortem request of me rendered a foreign word, perhaps a name, barely discernible.  I deciphered the word best as: MAL'A'NYE.

The remainder of the letter, despite its content, proved somewhat easier to read:
For Five Years hence your Receipt.  That is the length of time that is safe.  That you will be safe.  Five years.  The Others will help you to understand, but trust them little.  Trust history best.  Trust I know you better than you know your own sentiments, your own weaknesses and strengths, and that I want only your safety.  Five Years.

Now, shred this letter.  Burn it.  Bury the ash.

Be Safe.

Your Father, Baron Poole
    Lastly, came the request penned--or rather, dictated--from the Afterlife: DELIVER THIS TO HER--BARON POOLE.
   
    So there it was.

    I folded the letter, closing up the little world I have been . . . I smiled . . . enveloped in.  The present world, that of this road trotting past, though, did not offer as much to smile about.  This letter . . . this letter, such fragments from life and death: an old lover letter and an apology, inseparable--was I supposed to believe my mission would be that simple?  A mere delivery of a letter never sent?  And why write this apology over this letter of Sir Wilhem Wrossen's?  Why insist on writing this apology in the first place?

    Because.  Because.  I ran my fingers on the edge of the fold.  Because his world consisted of little more than that of a child trapped in a nightmare.  He did not realize how his words would appear to her, that they would give his daughter two different pains to agitate: that involving an old love and that of her father's . . . mind.  Not to mention other pains attached to that lover’s name and connection.  Attached to that past.

    So, no, it would not be simple.  His wounds could not be healed without adding some to another--or rather, reopening another's wounds.

    I could not believe he intended that.

    Nor the psychopomp.

    I'd deliver the intent of the words, not the letter, and see what mending could be done.


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F/SF/H/Hist #SampleSundays of Interest (no particular order):



Sunday, October 16, 2011

SampleSunday: Letters of the Dead (Beginning, Part 1)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

#

Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:

    For someone who received letters from the dead, I was quite the coward at opening the living's mail, or rather, opening mail from home.  Currently, the week-old letter occupied my pocket, out of sight, but not far enough from mind now that I had finished making my aunt's pills.  Even without letter before me, I could see my sister's handwriting.  I could imagine her at the writing desk, smiling despite each word.  I could imagine my brother leaning over her shoulder, investing himself in each line she penned, speaking loudly with or without a single word--so loudly that even oceans away I could hear, ringing in my ear, his censure and disappointment for his errant little brother.

    No.  No, the letter and home was never far enough from mind.  Things of mixed emotion rarely were. 

    I pulled off my work gloves and set them beside the pill box painted like a red flower.  Inside it were the pills I had made.  I picked up the container, a little too harshly it turned out.  The opium-mix pills, covered up in pretty shells like pink candy, rattled inside.  Far from innocent but pain didn't bear such considerations in mind.  Pain was a fire, burning where it would.  Sometimes these little pills offered the only help left.

    I stood up, pills rattling, ready to take them upstairs to Mrs. E's bedroom so Mr. E didn't have to.

    But circumstances conspired so I did not have to yet: Mr. E stood in the doorway linking kitchen to the mixing room.  How much had he witnessed?  The smile on my uncle's face said, Not much.  That smile was like a warm day in a long winter, not common enough.  That smile was more than enough to wipe away earlier thoughts and to bring better in their stead.

    "Son," he whispered as he placed the letter beside my discarded gloves on the worktable.  "You meet more misses at funerals than most find at dances."

    A miss?  It must be a dead letter.  Like the postmen, Mr. E saw what the deceased wanted casual outsiders to see: directions to me and my location, not to where the deceased intended me to go.  That didn't stop others from seeing the actual return address.

    "With such luck," Mr. E was saying, "maybe I should hire myself out to mourning as well."

    Then he seemed to remember the real recipient of his josh laid abed upstairs.  Worse, he saw the unintentional morbidity and portent in his words: he sank in on himself as he stood there, hiding his apprehension by stroking his mustache.  You had to look closely or share familiarity to notice that the mustache--more grey than blonde now--had grown as thin as his voice.

    He needed distraction.  "Mr. Elandris?"  I picked topic mundane.  "What do I owe you for the postage?"  I touched his sleeve.  "Sir?" 

    "Eh?  Oh.  Oh, yes.  Don't bother yourself about it.  Did you finish the scripts?"

    "Yes."  But he didn't refer to the customers.  "Yes." 

    He took the pill box from me.  Opened the lid.  Counted the week's worth of medicine, all twenty-eight--doubled from last month.  But he didn't see pills: he was seeing symptoms and a cure-all for the incurable migraines that led to attacks . . . that might lead, someday, to another stroke. 

    I saw not a cure at all.

    Morbid, Roderis.  Morbid.

    "No, son," Mr. E said, as he closed the lid.  "You go on."  He turned from me.  "I can handle any arrivals and appointments without my assistant for the afternoon."

    But I preferred he wouldn't be alone.  "Is Miss . . . "  What was the latest maid-of-all-work's name?  They turned over so quickly.  "Is the maid coming in?"

    "No."  A tightness had entered his eyes and grip.  "She worried Mrs. E's nerves."

    Few were the reasons for dismissal in this household.  One being too present, too noisy, distressing Mrs. E's sensitive ears and triggering her headaches.  The other being talks on things the Elandrises rather strongly wished they wouldn't.  If I recalled correctly, despite my best advice, the maid had a passion for the non-human slaves, the Possessions.

    "But they are only myth--"  I had said once when the dinner table sat three, not two.  And Mr. E let nothing more be said.  Not even that much would be tolerated now.

    "Sir, we can look in the ads for a new help tonight, if you want?  Or perhaps," I said, hoping he would take a nudge of advice, "we could invite . . . "  The nearest relations lived in the country, and even if one cousin were in town, they were too full of sympathy and a caution to accept an invite.  But maybe it wouldn't be so for others.  "We could invite your friend, the one apprenticed the year before you at your master's.  I've seen him and his wife several times now; they must have moved closer.  I'm sure they would welcome renewing your acquaintance in person rather than over letter?"  More than that, Mr. E could use some fresh companionship and Mrs. E could do with some careful, mindful same.  "He might be able to offer a good recommendation, besides."

    "Perhaps. . . .  You go on now, son."  His voice was half-here, half-up-there with Mrs. E, even before he turned away.  "We'll be fine."  He tiptoed out of sight.

    Nudge not taken, but perhaps his friend could be found and a conversation struck up, steps taken to bring change into his household.  Change for the better.

    But for now, I was left with letters.  The new one, at least, I could do some good . . .

    I picked it up off the work table, and a name stared up at me.  Poole.

    . . . or maybe I could not.

    A miss had directed this letter to an Honorable Beatris Poole.  Poole was common enough a name.  Surely, it need not be tied in any way to the late Baron Poole.  Surely.

    Yet.

    Yet, after almost a year of receiving the dead's letters, I had developed intuition.  Or rather, my scarred fingers had, fretting over the name without command from my consciousness.  Mr. E had his tic; I had my own.

    Rarely had I opened a dead letter here, in this place, in this home.  Not so much a superstition as a desire to keep lives separate, like the partition that divided kitchen from mixing room, home from work, the recovering Mrs. E from the succumbed baron, the living from the dead.  But hadn't the boundaries already been crossed?

    Crossed just over a year ago.

    By a single train wreck that had scarred both of their lives--and so many more.

    I held the letter, considering that.

    I held it, knowing superstition held me back--but I would not read all of the letter here.  I just needed to see.

    I cracked the red seal--never quite sure who re-pressed that wax.  The dead?  Or the soul's conductor, the psychopomp who directed--or rather, misdirected--their mail to me?

    Focus, Roderis.  Deep breath.

    I opened the letter.  Over the original letter, the post-mortem script read:

    BARON POOLE.




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Sunday, October 9, 2011

SampleSunday: Letters of the Dead: Roderis Meeting Malanye

I heard about #samplesunday on the Writer's Cafe on the Kindleboards and read more about it here.  This Sunday I decided to join in.  Some setup.  Letters of the Dead is currently undergoing grammar edits (haven't reached this section yet) and will be my first self-published ebook once done.  The main character (narrator) Roderis receives letters from the dead, sent by the psychopomp (a conductor of souls).  Roderis has received one from Miss Poole's father, Baron Poole, but is confused about what the baron wants.  Roderis is disguise as a hired mourner.


========= 
Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:



We had arrived, the butler showing me into the mourning room.

I almost believed one of us were mistaken until I saw the open casket near the wall.  By it stood a Corvish gentleman of black hair.  He was dressed in even more somber black, arms folded behind his back.  I hadn't time to ask of his identity; the butler was already gone.  The casket and a griever might be here, but seeing the state of this room, I didn't believe a psychopomp miracle or my help would be welcome here.

Gaslights blazed about the room instead of grey candles.  Not a pinch of funerary incense burned to soften the scent of preservative magic in this room.  Uncovered furniture crowded the space.  And not a single picture paid vigil over the deceased much less the room; in fact, if any of the lady of the house once graced this room, they had found a new place.  However, the worst lack lived on here as it did elsewhere: the absence of grey.  Nothing on the door, window, curtains, furniture, casket, anywhere--

No, wait, there were specks of grey on the gentleman.  On the scant trimmings of his dress coat's sleeves, on the waistcoat, and on the knee breeches.  I had overlooked it at first, the almost Colonial style mourning in the Motherland.

Who was he?  A more congenial survivor of the dead?  Colonial?  But really, his clothing's style didn't wash as my home country's, too many details out of place.  So I pushed that distraction from mind, and focused on other details.  Such as, he didn't appear interested in me, hadn't even looked up.  Was he one of the body's escorts?  One of the baron's guards?  Last I heard, he had one for every corner of every room and matched them to the decor.  But even baron wouldn't dress them this well, would he?  Or like . . . this?  Surely, he still remembered his homeland's mourning colors.

Either way, this gentleman could mourn albeit subtly.

Why?

He must be involved.  And in view of the statement of this room, this denial of a man's last rites, where hate colored the walls instead of grief, I believed I knew why the letter had sent me here: I needed to make sure the Honorable Miss Beatris Poole received the message the deceased most wanted to impart: regret and love.  Simple as a delivery and just as hard.  The gentleman's presence hinted that it wasn't impossible.  Whoever he was, he was important to Miss Poole and trusted by the baron.  He was likely this Mr. Mal'a'nye from the letter.

A bit reality from a scribbled mess of confusion.

Someone to bridge the chasm between parent and child, or to bandage the wound.  A welcome hand of help, either way.

Time to accept it and do what I came here for.  I moved toward the gentleman and coffin.  But after a few steps, I smelled the preservative magic, and although my lungs did not try to close, my mouth and stomach burned.  If anyone knew what that magicum tasted like on the return. . . . I dabbed with my sleeve at my mouth, but didn't leave it pressed there.  Not a good idea to give offense.

At least . . . at least Miss Poole had done that much, probably more for her own nose rather than for her father's benefit.  Without a doubt, she had not ingested the magic opiates and cast that spell herself.

Good for her.  Bad for the ready-makers she purchased it from.

Morbid, Roderis.

I cleared my throat, but the gentleman didn't even look at me.  Maybe he wouldn't, not until he heard what I had to say, us being strangers and, obviously, of different circles.

Though no one else waited in this room, I edged as close as I dared to the gentleman, moving past the slight swim of the head until a heaviness threatened my lungs.  At the center of the room, I could move no more.  Too much magic and too much powdered magic opium added to fuel the preservative.

No further.  I had to trust I was close enough that my words would move him.  "E-excuse me, sir--"  I coughed and rubbed my head.  "Sir, I--that is, you are . . . Mr. Mal . . a . . .nye?"

His head turned at that.  "Yes, I am, Owner."  

I stared.  Owner?  He had called me--no--I must have--I misheard.  Possessions, they weren't real.

(end snippet)

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In case you were wondering, a Possession is an enslaved being with great magical power that is different than the magic most humans use.

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Links to some SampleSundays I found interesting, in no particular order:

Tuesday, September 27, 2011

Update: One Who Sees

It is official.  I have pulled One Who Sees, my mythic fantasy novella; it will not be published with Drollerie Press after all.  I have mixed feelings about it, but we parted on good terms, so there is that.  But I am behind schedule on Letters of the Dead, my first short fantasy novel that I plan to self-e-publish.  So, I cannot work on OWS yet.  It still needs one edit pass, a proof, formatting into ebook with cover, and one final look-see-over.  I hope to get it up mid-November, though.  Just as I hope to get LotD up by either Halloween or, more likely, by October 8.  I do know that when I get OWS up, I'll briefly post it for free on this blog.  Briefly meaning it should go down in January.

It's a plan, anyway.    

Monday, September 19, 2011

Update: Letters of the Dead

After a sick break and pre-nano distractions, I am finally back on track with my novel, Letters of the Dead.  I hope to finish my current touch-up tomorrow, and then take a brief break to work on test formatting that novelette I was talking about.  Still haven't heard word from the e-publishers, though.  So, I don't expect to get it done for my birthday after all, but I will check up with them then.  But it will be good practice to format that piece as an ebook.  So that covers Wednesday, Thursday, and Friday.

Friday, however, I will also resume working on LotD.  It will be a pure read-through, just to make sure it is indeed ready for the grammar pass scheduled to start this weekend.  After that, I'll use what I learned from formatting practice on the novelette and begin formatting LotD.  One last proof in that format, then it should be ready to upload on Halloween.

So, though it might be a tight deadline, I can still make it.  And I will be glad when it is done.  Just this year alone, since I decided to focus on this novel as my first ebook, I've clocked over 80 hours on its revisions.  But the novel is so much better for it.

Tuesday, July 5, 2011

Fanfiction Fix

On the AW forums, there is an interesting thread about writers who started out writing fanfiction first.  I'm one of them.  In fact, I still read fanfiction.  More, one of the reasons why I decided to work on my duet of novels (Letters of the Dead and Eyes of the Gods) is the fact that I'm in Surpernatural withdrawals. 

My duet is an older series that I let languish because I didn't think I could revise it to look like commercially published books.  Also, it tended to be shorter than what they published. The duet series was written during a nano session.  I'm thinking 2007, but I'm not sure.  Anyway, the first novel was written and the second half written. 

As I started re-reading and outlining and planning fixes on my duet, I realized the first novel especially reminded me of Cass and Dean interactions.  I thought cool:  motivation!  Something to help not only with my drive to publish something this year, but with my SPN fixation as well.