Naught For One, but Something for Two - Nano Strategy - Walker Universe

Well, my plans were for naught on Walker Novel 1. But I did get more ideas for the series and Walker Novel 2 (Nano'10 Novel). I am trying a different method based off a book I was reading, the Weekend Novelist by Robert J. Ray. What I am doing is as follows:

• Key scenes intro.  I have Beginning and End, Plot Point One and Plot Point Three, Midpoint or Plot Point Two, and finally, I have Climax plus one more.  Literary agent Donald Maass spoke of bridging conflict in his Writing the Breakout Novel.  IIRC, his idea of bridging conflict is the series of conflicts that lead up to the first main conflict or event of the novel.  So, in the name of balance, I decided the introductory conflict is not Plot Point One, but falls in between the Beginning and that, like the Climax is between Plot Point Three and the Ending.  This key scene I call the Launch, for it is where things start getting more serious.   Therefore I have seven key scenes.   Now, what do I do with them?
• Key scene use.  I write these key scenes first, generally by pairs.  Why?  Because I am trying to keep my ADHD brain engaged.  Writing out of order helps.  But I also dislike rewriting, so my plan is once I write these key scenes, to go back and edit them into shape.  From around these seven pillars, I can start the process of filling in the rest of the novel.  I'll speak more on that in another post.  

So that is it thus far on my technique of laying out foundation or pillar scenes.  I'll leave with books of interest (through Amazon Affiliates) that might be of interest.  I have not read the last book below, but it looks like one to put on my to-get list:

• Writing the Break Out Novel and its workbook by Donald Maass
• The Fire in Fiction by Donald Maass
• The Weekend Novelist by Robert J Ray
• The Weekend Novelist Rewrites the Novel by Robert J Ray